Jump to content

Charles Morris Anderson

From Wikipedia, the free encyclopedia
Charles Anderson
Born1957 (age 66–67)
Valley City, North Dakota, U.S.
Alma materBLA Washington State University
MLA Harvard University Graduate School of Design
OccupationArchitect
Practice"WERK.us".
Projects

Charles Morris Anderson (born 1957) is a landscape architect and fellow of the American Society of Landscape Architects, He is a Principal of the Phoenix-based landscape architecture firm, Charles Anderson Landscape Architecture, which is the continuation of his practice of the Seattle-based firm Charles Anderson Landscape Architecture.

Anderson is recognized[7] by the American Society of Landscape Architects for combining nature, community needs, and art into his designs, emphasizing sustainability, indigenous plants and urban ecology.

Influences

[edit]

Anderson's influences and contemporaries include Peter Walker, affiliated with the team involved in the World Trade Center Memorial project; Richard Haag, famous for his Gas Works Park project in Seattle; and Cornelia Oberlander, a Canadian landscape architect renown for the creative use of native plants on landmark projects like the Museum of Anthropology, Vancouver, BC.

Anderson also had a special interest in the work of Robert Smithson, an influential artist of the 1960s and 1970s, James Turrell, a contemporary artist who focuses on light and space,[8] and Julie Bargmann,[9] who focuses on regenerative landscapes.[10]

Charles Anderson

[edit]

Charles Anderson, FASLA is a Principal and Director of Urban Design/Landscape Architecture at Cuningham. A feature project in his portfolio is The Ellinikon Project in Athens Greece. This is one of the largest projects in Europe and Includes a Metropolitan Park of 500 acres, 200 acres of additional open space and a mile of coastline.[11] Projects are national and international projects as well, including, Haiti [12] and Vietnam.

Other notable projects by Charles Anderson include providing landscape design for the Anchorage Museum expansion,[13] as well as Seattle's 8.5 acres (3.4 ha) Olympic Sculpture Park,[9][14] Mount St. Helens National Volcanic Monument,[15] and Manhattan's Arthur Ross Terrace.

Some neighborhood park projects include the Roxhill Wetland and Bog Park in West Seattle[16] and the restoration of the 500 Area of Discovery Park,[17] both of which received Merit Awards from the Washington Chapter of the American Society of Landscape Architects.[18]

Recognition

[edit]

The American Society of Landscape Architects (ASLA) awarded Anderson for his designs in the Tables of Water in Lake Washington (Washington State),[19] the Mount Saint Helens National Volcanic Monument project,[20] the Trillium Projects in Seattle,[21] and the Arthur Ross Terrace [22] design in Manhattan, New York and the Olympic Sculpture Park (4), Seattle, WA.

The Washington State Chapter of the American Society of Landscape Architects inducted Anderson into the Council of Fellows in 2006.[7]

Emo Urbanism (Big Nature)

[edit]

Anderson has defined his emerging design theory as “Emo Urbanism.” It is differentiated from other conceptual processes with a focus on art, culture, ecology, and the fourth dimension. He emphasizes authentic landscape—habitat and complete ecosystems—within an ordered human environment. His work on the Olympic Sculpture Park in Seattle, WA is an example of this with its paradigm shift in nature/human interaction. Anderson's stroke introduced entropic organization along Seattle's Elliott Bay. His intervention created a native ecosystem responsive to flora, fauna, and the hard lines of existing infrastructure. Anderson made vital the natural processes that sustain a dynamic, human centered world.

The quality produced through Emo Urbanism is paramount to the tangible connection of person to place. Anderson has described this connection as the “thinness.” It is the simultaneous perception and implicit understanding of the past, present, and future. Excellent design will achieve this in a manner that is simple, immediate, and direct. Anderson believes that its traditional counterpart, “context,” is often just a justification to make a designer's brand fit the site. Within Emo Urbanism, the brand is created from thinness. The result can embrace or contrast the physical manifestation of place, but it must always produce a unique fingerprint.

Current urbanism is pushing park space and outdoor amenity space to the rooftops in the most densely developed cities. Big Nature is the principal approach to a project that carries sustainable, indigenous focused landscapes to the rooftops in cities. Not as a purist notion but instead as a counterpoint to the contemporary view of the urban landscape. With this landscape will come the creatures that identify these landscapes as home.

The critical theory of Emo Urbanism was the basis for a seminar of the same name at the Arizona State University in 2012 and 2013.[23]

Urbanature

[edit]

Anderson defines the practice of Emo Urbanism as “urbanature.” In practice, he differentiates between the wilderness and wildness. Henry David Thoreau held that “in wildness is the preservation of the world.” Urbanature implements wildness—the authentic landscape—within the urban environment. Urbanature demonstrates that nature does not exist solely in an untouched wilderness. Ashton Nichols, a professor of English Language and Literature at Dickinson College, first developed the term in relation to ecocriticism and how people perceive the world around them. He states that “the interconnectedness demanded by urbanature insists that human beings are not out of nature when they stand in the streets of Manhattan any more than they are in nature when they stand in the mountain above tree-line in Montana."[24] Urbanature provides the tangible benefits of nature in an environment not traditionally thought of as appropriate. A clear example can be seen in Project Phoenix,[25] an in progress soccer stadium in Haiti. Here Charles has composed a landscape entirely of edibles and a lake containing tilapia for consumption. Composting and recycling facilities are also integrated.[4] Anderson contends that the landscape cannot just be an aesthetic tool, it must also provide for the mental, physical, and social health of people regardless of where they live.

Anderson's award-winning urbanature includes the Alaska Museum of History and Art,[26] the Olympic Sculpture Park,[27][28][29] and Trillium Projects[18] and can be seen throughout his monograph, “Wandering Ecologies.”[30]

References

[edit]
  1. ^ "Anchorage Museum Common :: Charles Anderson". Ca-atelierps.com. 2008-04-25. Archived from the original on 2013-12-03. Retrieved 2013-05-02.
  2. ^ "Arthur Ross Terrace :: Charles Anderson". Ca-atelierps.com. Archived from the original on 2012-07-06. Retrieved 2013-05-02.
  3. ^ "International Peace Gardens :: Charles Anderson". Ca-atelierps.com. 2008-04-17. Archived from the original on 2012-07-06. Retrieved 2013-05-02.
  4. ^ a b "World-Class Soccer Stadium Underway in Haiti". ArchDaily. 2 February 2013. Retrieved 2013-05-02.
  5. ^ "Olympic Sculpture Park :: Charles Anderson". Ca-atelierps.com. 2007-02-07. Archived from the original on 2013-08-07. Retrieved 2013-05-02.
  6. ^ "Trillium Projects :: Charles Anderson". Ca-atelierps.com. Archived from the original on 2012-07-06. Retrieved 2013-05-02.
  7. ^ a b "ASLA Fellows". asla.org. Retrieved 2013-05-02.
  8. ^ "Biography". Nasher Sculpture Center. Archived from the original on 2010-11-27. Retrieved 2013-05-02.
  9. ^ a b DIRT Studio. "DIRT Studio". DIRT Studio. Retrieved 2013-05-02.
  10. ^ Julie Bargmann, “Just Ground: a social infrastructure for urban landscape regeneration,” in Resilience in Urban Ecology and Design: Linking Theory and Practice for Sustainable Cities, ed. Steward Pickett, (New York: Springer), 2013.
  11. ^ "Hellinikon, Athens Greece, with Foster + Partners, London". YouTube. Retrieved 2014-06-24.
  12. ^ "World-Cass Soccer Stadium Underway in Haiti". ArchDaily. 2 February 2013. Retrieved 2013-05-02.
  13. ^ "A proud partnership with Kumin Associates and David Chipperfield Architects". Official website. Anchorage Museum. Archived from the original on 6 July 2011. Retrieved 8 June 2011.
  14. ^ "General Design Honor Award". ASLA.
  15. ^ "Mount St. Helens National Volcanic Monument :: Charles Anderson". Ca-atelierps.com. Archived from the original on 2012-07-06. Retrieved 2013-05-02.
  16. ^ "Roxhill Bog :: Charles Anderson". Ca-atelierps.com. Archived from the original on 2012-07-06. Retrieved 2013-05-02.
  17. ^ "500 Area of Discovery Park :: Charles Anderson". Ca-atelierps.com. Archived from the original on 2012-07-06. Retrieved 2013-05-02.
  18. ^ a b "©". Asla.org. Retrieved 2013-05-02.
  19. ^ "ASLA 2006 Professional Awards". Official website. ASLA. Retrieved 8 June 2011.
  20. ^ "ASLA 2005 Professional Awards". Asla.org. Retrieved 2013-05-02.
  21. ^ "2004 ASLA Professional Awards". Official website. ASLA. Retrieved 8 June 2011.
  22. ^ "ASLA Announces 2008 Honors". asla.org. Retrieved 2013-05-02.
  23. ^ "Class Search / Course Catalog".
  24. ^ Ashton Nichols. Beyond Romantic Ecocriticism: Toward Urbanatural Roosting. New York, NY: Palgrave Macmillan, 2011. ISBN 978-1137033994
  25. ^ "Our Mission". Project Phoenix. Archived from the original on 2013-05-17. Retrieved 2013-05-02.
  26. ^ http://www.wasla.org/wp-content/uploads/2012/08/TheAnchorageMuseumCommon.pdf[permanent dead link]
  27. ^ "Archived copy" (PDF). places.designobserver.com. Archived from the original (PDF) on 3 December 2013. Retrieved 22 May 2022.{{cite web}}: CS1 maint: archived copy as title (link)
  28. ^ Luke, By. "T+L Design Awards 2008 – Articles | Travel + Leisure". Travelandleisure.com. Retrieved 2013-05-02.
  29. ^ "Olympic Sculpture Park, Seattle Art Museum". World Buildings Directory. Archived from the original on 2014-12-17. Retrieved 2013-05-02.
  30. ^ Julie Decker. Wandering Ecologies: The Landscape Architecture of Charles Anderson. Design Media Publishing Ltd, 2011. ISBN 978-9881973962
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Charles_Morris_Anderson&oldid=1229416433"